James Blanding Sloane
— Satyasri Ukil
A printmaker’s studio is a strange interface between art and technology, where art production is as dependent on artistic skills as on chemicals, machines, and specialized tools to engrave and scratch the image on metal plates. Here one finds needles and burins instead of brushes. And the place is full with acid mordant, beeswax, asphalt, bitumen, hotplate, French Chalk, pigments, metal plates and finally the press, with its rollers, and sets of soft yet durable felt sheets. The entire scenario is in stark contrast to the almost feminine tenderness of a painter’s studio. Yet here are produced images with wonderful chiaroscuro and bold and delicately fluid lines in multiple impressions! A printing studio may seem medieval, yet it withstands obsolescence.